In some cases, though, the "sold out" argument is valid; the last two Replacements albums, and all of Paul Westerberg's solo albums, come to mind there. Or for an even more revolting example, the Goo Goo Dolls, who were damn good until "Name" became a hit and they fell in love with the money and acclaim, thus becoming a soft rock band in an effort to keep the cash and notoriety coming.memememe173 said:Yes, and that's understandable. I was thinking more of the people who refuse to listen to anything mainstream because they "sold out" or that scorn people (even if they have good taste) simply because they are unable to find the little bands (live in small town, no downloading, to young to go to shows etc.)
Not every good band that makes it big did so by selling out, obviously, or sells out to keep cashing in on the sound of their first big hit, but it happens often enough that I can understand the stigma attached to such success.
As for the scorners, I'm in complete agreement with you on them. I do, however, support and even count myself among those who scorn people who won't even try to expand their musical horizons. You know, the people who think there's no music beyond Top 40 or metal or whatever their one chosen genre may be.